Wednesday, July 06, 2011

TRANSFORMERS: DARK OF THE MOON by jaiskizzy


gist: after saving the world twice from decepticons, life seems to be back to normal for sam "ladiesman217" witwicky with a new out-of-his-league girlfriend and a struggle to find a job. meanwhile, the autobots have been doing some freelance asskickin and on one of their 'con hunts, they uncover a government secret that would make conspiracy junkies crap bricks: the old space race was caused by a cybertronian ship that crashed on the moon. earth is once again the ring for an all-out robot royal rumble that will finally determine the fate of mankind and the franchise's fourth film.

reaction: the needs of many outweight the needs of a few and the many disappointed geeks who watched revenge of the fallen needed a better movie, myself included. part two wasn't a piece of crap but it was near the raped-my-childhood level, particularly with the devastator bullshit. so explosions expert, michael bay, was given a chance to close the trilogy and redeem himself. end result: although this threequel is far from the excellence of the first, it definitely makes the second one forgivable.

michael bay is the go-to guy when you want to blow stuff up in movies. he has mastered the art of mayhem. every action sequence with the bots was pitch perfect. i couldnt imagine how he sets these up. you see a decepticon flipping cars over and a car that transforms then reverts to car mode and you believe it because it looks real. that alone is a testament to michael bay's distinct destruction direction. sure, he needs to do a lot of homework plot-wise but lots of other directors have that covered. only a completely misguided moron would come into a michael bay film and expect the profound and the pathos of kubrickian scale. the same idiot would easily get bored at the non-action parts. it's mike's weakness, yes, but these scenes are there for a reason. one is so that you could catch your breath. they dont require you to cerebrate, you just have to pay the same attention you gave the pyrotechniques and listen. (and if you did, you'd actually have known what a certain character was going to do long before) i really think there should be a sign outside to leave your elitist snob hat or the adhd cap of your inner child at the entrance and enjoy the mecha porn.

in the first two films, sam is thrust into the fray mostly because he cant opt out. here, with the world oblivious to his heroics, he involves himself by his choosing, making the character more mature, and i believe shia did really well portraying that. backing him up are some new faces, great actors in silly roles. malkovich as a crazy boss and mcdormand as a quirky government agent. but i liked the addition of tudyk the best. dutch needs a movie of his own. and so we arrive at the meat of the matter, the switcheroo issue that everyon's fussing about more than the film itself. am i alone in liking carly better than mikaela? megan fox has the two-movie, fantard-following edge, she's sex appeal in the flesh but she cant act to save her life. rosie huntington-whiteley, although nowhere near oscar material, had greater range as a first-time actress. also she had something megan fox doesnt: charm. and that british accent easily disqualifies her as a skank. case in point: in part one, the first time sam's parents sees mikaela, she just stands there, exuding the trophy-gf vibe to stress how lucky sam got. here, everytime sam introduces carly to anyone, she's so bubbly and affable. bottom line: cameron diaz clone > ms. stubby thumbs.

other things i liked were how real world events were incorporated into the mythos, the flying squirrel scene, and the comic relief. and i'll say as little as i can about the cgi cast to avoid spoilers. it's still good to hear peter cullen voicing optimus prime. it was cool to hear leonard nimoy as sentinel prime who looks just like him. liked the new ferrari autobot but not the wreckers. was still hoping to see starscream (my fave) as the scheming sycophant but alas he's underused yet again. still no sign of the dinobots or unicron. and when optimus prime said they had a ship that can take them to the moon, i thought sky lynx? omega supreme?!? but nah. it was astrotrain. (just kidding) also, absence of gestalts was a big minus.

anyways, transformers: dark of the moon was not the best way to end the trilogy (kinda abrupt) but it's entertainingly satisfying. the long queue an hour before screening, the applause when the credits roll and the growing profit from ticket sales mean only one thing: even if there's a decepticon that transforms into a toilet and rosie huntington-whiteley sits on it for two hours, people will come to watch. actually, that's a good idea if you think about it.


the good: the bots, the mayhem, the new chick
the bad: lack of strong story and character development
the ugly: john malkovich
the verdict: 8 energon detectors



sentinel grime

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